About - Clients' Q&A

ABOUT Glenn D. Hettinger, AIAP, AIA
Glenn at a coffee table book signing event

You probably have some great buildings or product installations without the benefit of equally great photographs. I would welcome the opportunity to partner with you to create the images you need. ...because your outstanding work deserves the best possible photographs to present it. 


My wife Jean and I raised our four sons in Ponte Vedra Beach, FL where we have lived for 34 years. Now we have been blessed with four wonderful daughter-in-laws, four granddaughters and five grandsons - who all live far away. So, we'll probably be traveling to your sites sometime soon.

Glenn is a member of the (AIAP) Association of Independent Architectural Photographers 
and the (AIA) American Institute of Architects.
2022 AIA-FL Architectural Photographer  of the Year
and author of his series of six 'Distinctive Homes Of America' coffee table books. 

Glenn's Associate is an FAA Licensed Drone Photographer and a member of the 
Certified Aerial Drone Photographers of America TM.

 Conversational Client Questions & Answers 

with Glenn Hettinger - Architecture  & Interior Design  Photographer


Q#1: How does your innovative approach to 

architectural photography benefit your clients?

A#1:   First off I'm a registered architect, and I know what's important to capture about a well-designed building.  Quality images of your work drives business to your company.  My goal is to represent your buildings and their details exactly the way that the designer intended for them to look, rather than make abstract or artistic representations. My objective is to make the whole building team of owners, designers, builders and suppliers very proud of their accomplishments.


Q#2: What distinguishes your work from 

other architectural photographers?

A#2: Dimly lit dawn and twilight shots are usually thought of as the “most artistic architectural shots”, but they don’t show off all the architecture very well. So, I limit the amount of those shots that I take. Most of my shots are taken in natural light, and I pay careful attention to how it constantly changes what I'm shooting. This does mean that I sometimes need to enhance my images by Photoshopping in a more dynamic sky (than the pure blue-sky sometimes present on the day that I took the image). We do basic to extensive editing based on the client’s investment. I do the basic editing and our fantastic graphic artist does the extensive image manipulations.


Q#3: Are you an expert on your favorite subject 

of architectural photography?

A#3: I decided to be an architect in eighth grade, and I’ve never lost my passion for building design. I’ve always been taking extensive pictures of distinctive architecture everywhere I travel. As a result, I have developed a keen eye for composition and for capturing outstanding architectural images in my lens. I strive every day to be more of an expert today than I was yesterday. ...and it seems to be working.


Q#4: What led you to specialize in architectural photography?

A#4:  As a life-long architect I never really had any other interest in photography other than to use it to capture beautifully distinctive buildings. Sure, I take a fair amount of family and landscape pictures, but I’ve always gravitated to buildings and to the details of those buildings.


In 2008 I did some ‘soul searching’. I asked myself, “What would I do now if I was independently wealthy and did not have to work?” I sat with my writing tablet for eight hours writing down everything I love to do and everything that I hate to do – with no thought of how any of it would make any income. What fell out of the bottom was that I would walk around gorgeous residential neighborhoods or commercial buildings and take pictures of distinctive buildings – whether I got paid to do so or not.


I now photograph for building owners, architects, builders, interior designers, building product manufacturers and my own coffee table books. I also photograph for individual homeowners that want to document their estate homes, collections, businesses, philanthropy and/ or life stories in heirloom or legacy books.

My Motto: “Do unto the Client as the Client wants to be done unto."

- Glenn Hettinger

   Q#5: What has been the biggest influence on your 

development as an architectural photographer?  

A#5: My main influence or driving factor has been my desire to promote and preserve distinctive, American, building design and craftsmanship and the patrons who make them possible. Shortly after really getting into photography I began work on my first coffee table book in my ‘Distinctive Homes Of America®’ series of books. That led me to more books that required lots more photography to be done and to many more lucrative assignments.


Q#6: As you have developed your trade, 

how have you and your approach changed?

A#6: My sense of observation has been greatly sharpened. I used to have to take many more shots to get ‘the killer image’ that we all strive for. Now my first shot is almost always my best shot. I have developed the patience that it takes to wait for the perfect combination of sunlight, clouds, people and vehicles. I also continue to learn more about the limitless combination of camera settings available to assist me.


Q#7: Can architectural photography make the world a better place? 

Is this something you work toward?

A#7: Most all art in general makes the world a better place. Photography has a big influence in positive and negative ways. I use it to convey the best that there is in the art of architecture. I hope that my work is somewhat of a reward to the people that made the buildings and a positive influence on all the people that ‘borrow ideas’ from their work and mine. 

Q#8: Do you have formal photography training?

A#8: I didn’t when I got started, but I do have a five-year architectural degree from Iowa State University, and I have been a registered architect for 35 years. I understood architecture and composition and that was and still is my strength in photography. I have since taken and continue to take many on-line courses, lessons from my photographer friends and read photography books.

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